Reviewed in the United States on November 22, 2019, Reviewed in the United States on January 2, 2020. not for the shallow or impatient. 9:14 PM PDT 6/20/2019 by John DeFore FACEBOOK; TWITTER; EMAIL ME; YOUTUBE; This … | and sending her application via internet or the world wide weband since you cannot see any lines..we assume that she is wireless connected.. Dislike: L-o-n-g, drawn out! Really really enjoyed it. Sublime! Southcombe simply doesn’t seem to have a keen eye for performance, and somewhat overindulges both Byrne, whose cop – crackling with neurosis and anxiety – doesn’t ever come across as plausible, and more importantly, Rampling. UK-Germany-France. Almost inept CDI stumbles into solving her recent murder of the man she met once, thus helping her come to grips with being a poor babysitter which resulted in her dead granddaughter which resulted in her own daughter disowning her. What little action there is (two sequences) is bland and boring. Well, I don't get all those harsh critics about the lack of realism, for example regarding the fight scenes, I mean, common, of course a killing machine like Anna is an impossibilty, but does anyone complain about the killing capacities of guys like James Bond, John McClane or John Wick!? Screen International is the essential resource for the international film industry. Also, the film wastes Helen Mirren and Cillian Murphy. I usually like most movies. Repetitive, unfocused, and boring. Awards Production companies: Embargo Films, Riva Film, Arsam International, International sales: Global Screen, info@globalscreen.de, Producers: Felix Vossen, Christopher Simon, Michael Eckelt, Ilann Girard, Screenplay: Barnaby Southcombe, from the novel by Elsa Lewin, Main cast: Charlotte Rampling, Gabriel Byrne, Eddie Marsan, Jodhi May, Hayley Atwell. 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Really really well directed and edited, beautiful sets and settings and great score! At all. Absolutely fantastic acting. Not as well written as his Nikita, but Besson keeps the body count flowing in Anna with far greater numbers. Absolutely crap! She even at a point becomes a very unlikeable character that's difficult to get behind for the remainder of the story. Yet to c The Villainess. This is so similar to that mess that Jennifer Lawrence was in, husky voiced sultry sulky Russian babes that outsmart men, because the ladies can do stuff now. Luc has gave lead roll to girl who has no real acting career and you can't tell that when you watching the movie! Anna is simple a nice entertaining action flick with some good fights, a beautiful and well performing actress, but for certain one of the more conventional and simpler movies made by Mr. Besson. It was only when I came on here that I learned this was supposed to be set in the 80's?! Lots of other good actors - loved the boyfriend - he was fantastic and awful and hilarious - and had the best accent of them all. Rampling is as magnetic as ever when she shows Anna on the edge of breakdown. A LOT OF THEIR REVIEWS ARE FAKE. During the movie i was fascinated. I really liked this movie and strongly disagree with most of the negative comments. It could be not bad Black Widow eurojank mockbuster, but with all of this pure fantasy stuff its not. In a generation of films like "John Wick" and "Atomic Blonde", "Anna" doesn't stand a chance. I decide to give it a shot without zero expectation beside its directed by Luc Besson who give me La Femme Nikita and Leon the professional which i love and yeah its kinda mediocre in story but i love modern touch in action scene, remind me of Lucy that directed by him too, i think nothing much novelty in here, and i feel i watch many movie like this in recent time, feel like our heroin "Anna" are playgirl that juggling with 2 handsome agent KGB Luke Evans and Cillian Murphy with dangerous espionage and assassin as spice to add interesting thing at "Anna", Helen Mirren "Olga" as usual always give us outstanding performance and give what this movie needed to not fall below mediocre action movie, , in the future, i hope Luc Besson found again what make him respected in 90's movie as director, the authenthic and touch of novelty that give audience shock factor. But, instead the movie just ended... a one note presentation. Ben Smithard’s Scope photography covers these locales in lashings of baleful ambience, given a chic modernist gloss by K.I.D.’s electronic score and the moody musings of neo-retro balladeer Hawley. Instead of the scary, hard-boiled misanthropes she’s played at late – in films by Todd Solondz, Laurent Cantet et al – here’s Rampling as a vulnerable and not terribly confident woman in a crisis. OR "WATCH IT AND MAKE YOUR OWN MIND UP!!!". Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. Production started this week on the fifth title in the ’Footsoldier’ series. Later, George is found dead and circumstances seem to imply his son Stevie (Max Deacon), in trouble over a drug debt. Especially like these. Review by Adam Cook ★★ I, Anna is a British thriller with noir undertones and pretentious styling.

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