It creates a kind of energy in the room.”, The goal is to make the conversations with guests feel unprompted and natural. Either because it doesn’t sell for what it should or it sells for a  lot”. People find it scary and elitist,” Diament, 39, tells i. Diament’s journey into art is unconventional too, he started his career as frontman of electropop band Temposhark before earning a master’s degree from Christie’s. But that’s what’s appealing about the show’s format – he is aware that this is how many feel, and that makes listeners feel as though they are part of the conversation not just listening in. Talk Art’s audience overall has increased by more than 80 percent since last March, when the company began working with the podcast. Tovey and Diament also interview famous people who collect art, including actors Lena Dunham and Sir Ian McKellen. “It’s like you’re sitting in the room with them having a gossip, not like, ‘Formal question, chat, ‘Let’s be serious’,” Mr. Tovey said. The podcast has been running for a little over a year and a half but is now on season four, and has been listened to more than 600,000 times. Diament sells art for a living, and his views are nuanced. KAWS discussed the complexities of mounting a giant inflatable sculpture he created in Hong Kong’s Victoria Harbor last year. “We’re just art geeks and we want to talk to other people about it,” Mr. Tovey said over a cup of strongly-brewed tea in the West Village apartment he’s staying in, as his French bulldog Rocky breathes heavily in his lap. The interview lineup of artists on their recent trip was typically diverse. “It’s a hobby. He’s currently the director of Carl Freedman Gallery in Margate, Kent, where he’s worked for a decade. Talk Art visits the artist Salman Toor, the subject of an upcoming show at the Whitney Museum of American Art. The choice of guests reflects the hosts’ personal tastes — there’s little focus on photography, for example — and is decidedly inclusive in terms of gender, ethnicity, age, race and sexual preference. “If an artist’s work is being sold at auction, it can really destroy their career. He believes art is not something you have to be surrounded by growing up to appreciate – it’s everywhere and for everyone. They’ve met household names such as Grayson Perry and Tracey Emin, as well as artists David Shrigley, Jamie Hawkesworth, Joyce Pensato and the duo Hannah Quinlan and Rosie Hastings. Talk Art duo Robert Diament and Russell Tovey. He remembers friends coming over and seeing it framed and exclaiming: “Wow. Lena Dunham, for example, discussed pieces she owns by Ellen Berkenblit and Lisa Yuskavage, as well as her own painting, which she said her father, the artist Carroll Dunham, described as “a very credible hobby.”, “They’ve managed to kind of crack it,” said Susie Warhurst, senior vice president of content at Acast, a Stockholm-based podcast company that hosts the program. poster he had on his wall growing up. “Buying an old David Hockney or an original Sonia Delaunay exhibition poster is buying a piece of art history”. Season 7 continues!!! “I’ve just watched the documentary The Price of Everything [about the commodification of art],” says Tovey, “and I guess in a way the more expensive things are, the more inclined you are to look after them”. Last fall, Mr. Obrist reminisced about the first space he curated: his childhood room, around age 16, covered with a rotation of art-related postcards. “Who’s Afraid of Virginia Woolf” that opens in April. The hosts’ uniformly buoyant approach can also feel out-of-sync when speaking with guests like the artist Lawrence Abu Hamdan, whose work deals with human rights and surveillance. Tovey admits that when he first started meeting artists and getting interested in buying art he had imposter syndrome; what did he know? Still, the show’s down-to-earth atmosphere puts many guests at ease. In fact, their knowledge gaps actually help put listeners at ease. Mr. Diament, 39, and Mr. Tovey, 38, interview their guests with a wide-eyed gusto, whether they are captivated by gallery owner Sadie Coles talking about working with John Currin, or are listening intently to how Tracey Emin’s grief over her mother’s death inspired her recent show at White Cube in London. On a recent blustery weekend, the gallerist Robert Diament and the actor Russell Tovey, co-hosts of the British podcast Talk Art, had a deliberately untouristy agenda as … “You’ll be surprised on a quiet day you might pick up a Peter Blake print in the hundreds of pounds. Is that Tracey’s signature?” It was part of an edition of a hundred or so prints, and Tovey was hugely proud of it. At one of the recent New York tapings, for example, the artist KAWS brought up the acclaimed photographer of graffiti Henry Chalfant; Mr. Tovey had to ask who he is. Since its first episode in October 2018, Talk Art has steadily built up a substantial following, with more than half a million downloads. Clockwise from top, Talk Art podcasts recorded with Michael Stipe of REM; Lena Dunham; Sir Ian McKellen and the late artist Joyce Pensato in her room at an Upper East side hospice. The goal is to make the conversations with guests feel unprompted and natural. There have been gallery owners and curators as well, like Jasmin Tsou, who runs JTT in New York. “I was working in music and graffiti art was cool and not expensive at the time. The most recent article is Talk Art Is the Podcast That’ll Get You Through Lockdown — Its Founders Russell Tovey and Robert Diament Share Their Favorite Artists written by Felicity Carter for the Forbes in May 2020. As we talk they are bouncing off each other easily – two mates chatting about their passion. Diament’s answer prompts Tovey to clarify that “the art market and what it is to be part of art history are very different things…an artist has to be able to support themselves to be able to keep creating art”. All rights reserved. For episode 3, Russell & Robert meet Jeffry Mitchell a "gay … © 2020 Associated Newspapers Limited. A mention of the Mudd Club, the TriBeCa hot spot that hosted an influential 1981 graffiti exhibit, “Beyond Words,” also required explaining. “In a world that is seen by some as stuffy and controlled, we wanted to be anything but,” he says. Plans for 'Tier 4' restrictions if current rules don't work to tackle coronavirus second wave, How your MP voted on the free school meals motion backed by Marcus Rashford, Covid tier map shows the areas of England subject to each level of lockdown restrictions, i's guide to Premiership final as depleted Wasps aim to shock double-chasing Exeter, Post-Brexit trade talks intensify as UK and EU edge towards a deal. “There are points when you think, ‘Why the hell did I buy that?’ It’s about working out who you are and what you like”. “They’ve found a unique way of talking about something that’s extremely visual.”. The pair will be recording more episodes here over the next few months. I liked the bright colours and work cost about £50-200.” It was something that his friends were also into. Still life? And some of the hosts’ personal interjections, like comparing art collections to their childhood stashes of stickers of the Garbage Pail Kids, in an interview with the ceramist Tommaso Corvi-Mora, can feel intrusive. Collecting art is “a lifelong journey, you have an ongoing dialogue with the art you buy”, Tovey says. “They kind of jump back and forth between the questions. “We didn’t want the public perception of art to be confined to the work that sells for millions and makes the newspaper headlines. “It’s not like we created that for the show.”. Mr. Toor, who was born in Lahore, Pakistan, talked them though the autobiographical elements of his work, which frequently depicts what he called the “dignity and glamour” of gay life. He cautions, though: “don’t go to buy straight away” and “only buy something you love”. “For us, being creative people, it’s just very narrow-minded.”. Ceramics?”. Sorry, there was a problem with your subscription. Where should someone on a budget of £250 or less start looking for their first piece of art? That’s a collection in a way”. For original art, Diament suggests reading old auction catalogues to compare the listed and final sale prices. In Diament’s case it was a need to fill the bare walls of his first flat when he was 22. The hosts have been friends since they met in August 2008 at a dinner in Edinburgh honoring Ms. Emin. He started Talk Art with his friend the gallerist Robert Diament and since 2018 they have been interviewing artists and collectors about the work they make or buy. “This is such a passion project that it’s easy,” Mr. Tovey said. “For those who like the investment aspect,” he adds, “when editions start to sell out, the price rises, too.”. They also recommend Allied Editions, a collective made up of seven of London’s leading not-for-profit arts organisations. The actor Ian McKellen, in an episode about his art collection, told the hosts about buying a print at the Factory from Andy Warhol, whom he called “a goer and a show-off” and also a “nice camp young man.”, “There is an almost kind of free jazz moment in it,” Mr. Obrist recalled. “People just want to say, ‘Oh, that’s what you are: stay in your lane,’” Mr. Diament said during his recent visit. He’s one of the presenters of the podcast Talk Art, which aims to demystify the world of art and shine a light on the day-to-day lives of artists. They shrug off any cynicism about their unusual trajectories. Talk Art hosts Russell Tovey, front, and Robert Diament, in New York. Now it’s a global hit. The following is young and spans far beyond the UK, so much so that The New York Times profiled the pair last month. After I’d met her I really wanted to own a piece of her work, and my parents bought me a limited-edition print from [Freedman’s studio] Counter Editions for a few hundred pounds for my 21st birthday present”. Although he’s not an art world professional, Mr. Tovey has been a passionate collector ever since he earmarked part of his pay from the 2006 film “The History Boys” to buy a print by Ms. Emin, who later became one of Talk Art’s first guests. Ms. Ojih Odutola spoke about the influence of science fiction, like “Star Trek,” on her newest work. In Bushwick, at Salman Toor’s narrow studio, the artist talked though the autobiographical elements of his work, which frequently depicts what he called the “dignity and glamour” of gay life. Collecting art is “a lifelong journey, you have an ongoing dialogue with the art you buy”, Tovey says.

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