Blue Microphones Kiwi Multi-Pattern Condenser Microphone. The impedance converter electronics are solid state, all discrete and Class A, with a transformerless output stage. The Kiwi comes packaged in a beautiful wooden case and also includes an elastic, spider-type shock mount at no extra cost. The Kiwi is Blue’s top of the line solid-state mic. The Kiwi is a large-diaphragm multi-pattern condenser microphone featuring discrete Class A electronics with a transformerless output. Truth be told, I love microphones. Positions are marked for omni at the anticlockwise end, figure of eight at the clockwise end, and cardioid in the middle. The Blue Microphones BOTTLE is about as good as it gets…period. The girls preferred the clarity of Kiwi to the slightly thicker sounding VX2, so we used the Kiwi on the remaining vocal tracks on the album. It offers omni, figure of 8, cardioid and other options in between to choice from. The BLUE logo identifies the front of the microphone. Patterns are easily selected by hand using a knob on the back of the mic. It is also a multi-pattern mic, one of only two in the range, and the only one which is phantom powered. The Blue Kiwi is Blue's top of the line solid state microphone. The manual goes on to mention that the Kiwi has a reduced proximity effect so that vocalists can get right up on the mic (an inch or two away) without the boominess that proximity effect can add. It's easy to see why this is BLUE's solid-state flagship model — I can't fault it at all. However, its UK price puts it in the aspirational category for most of us. Despite the large size of the microphone, it is not as heavy as it looks, although still needing a strong stand to accommodate its 880g without drooping. If the Blue Kiwi microphone is as great as most people say, then why are they often sold used for about half the price of a new one? Since there is no rumble-filter facility and this is a pressure-gradient microphone, proximity effect and LF vibrations could both cause problems. Everyone remarked at how clear things sounded with the Kiwi. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. It’s certainly bright, but not in a harsh, edgy kind of way. Lots of detail, without any grittiness. It was just the right length (6 pages) with a good blend of technical info and application suggestions. BLUE offer a very expensive pop shield as an optional extra. The latter is ameliorated by the included shockmount — an impressive elasticated cradle with two inner padded clamping rings to support the mic. Part of the reason it has a large capsule is due to the single dual diaphragm capsule. While it is usually the low end that differentiates mic preamps, it is always the high end that marks out a supreme microphone. Mastering Essentials Part 3 - How loud should I master? BLUE's flagship solid-state microphone combines their trademark distinctive styling with exceptional sonics. It has a clear sound that works well on a wide variety of sources, although it might not the best choice for a thin source that you’re looking to fatten up. The Kiwi was designed for recording vocals, but its very wide frequency response and smooth larger-than-life sound make it ideal for all manner of acoustic instruments and percussion. In its omni mode, the mic has a very subtle slope to its response, rising gradually across the entire bandwidth such that the high end is 2-3dB higher than the level at 100Hz. It's nice to dream though... All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. The response is typically 2dB down at 20Hz and there are two very gentle presence peaks, one centred at about 2kHz (rising to +1.5dB) and a second centred around 12-14kHz (and peaking to about +3dB). Find helpful customer reviews and review ratings for Blue Microphones Kiwi 20 Foot Quad Microphone Cable at Amazon.com. The frequency response chart in the manual shows basically flat response from 20Hz to 1KHz. And it’s superior performance and reliability has helped top … The Blue Kiwi is a special microphone that has certainly earned its reputation and praise as an excellent vocal microphone. The Kiwi is not an inexpensive mic at $2299 list ($1999 street), but quality components and craftsmanship don’t come cheap. Is working Great. The handbook provides a lot of very practical advice on positioning the microphone for recording voices, acoustic guitars, piano, woodwind, brass, drums, and percussion. I loved the tambourine and shaker tracks I recorded with the Kiwi. Blue has a winner on their hands with the Kiwi. As with most multi-pattern mics, the frequency response varies slightly with different settings, as a result of combining the two capsule outputs. It has a retro look which complements the mic itself. Other than the polar pattern switch, there are no other facilities — no pads or high-pass filters — to disturb the high-quality minimalist signal path. The VX2 sounded better than my U89 or C412s on the girls. Clean electric guitar sounded great too. The Kiwi is Blue’s top-of-the-line FET condenser microphone. Q. Can I get a level meter plugin that goes below -60db fo... One Synth Challenge IV - The Voyage(r) Home. You'll need a pop shield for recording vocals, which may detract from the Kiwi's good looks, so (for those with bottomless pockets!) The maximum SPL for 0.5 percent distortion is 133dB. I primarily used the Kiwi to record female vocals and acoustic guitar with a fair number of percussion and clean electric guitar tracks thrown in. It all translates to getting the sound right at source, and I found I didn't need to EQ the mic at all — any minor tonal changes could be effected by moving and pointing the mic, or by changing the polar pattern a couple of clicks. For two decades, Blue microphones have powered the world’s greatest artists and studios. I think this mic is a phenom for instruments, acoustic guitar was awesome. BLUE's flagship solid-state microphone combines their trademark distinctive styling with exceptional sonics. Truth be told, I love microphones. I don’t think you can have too many of them, especially if they have a distinctive sound. Mastering Essentials Part 4 - Mastering EQ: Balance, Don’t Match. Blue Microphones was kind enough to send me their Kiwi mic for a test drive at the same time they sent me their new Ball mic for review. Reviewed in the United States on March 24, 2015. The main reason being: By including the 8 additional capsules (known as Bottle Caps)… You essentially have an entire microphone collection condensed into … There’s a small bump centered at 2KHz and a somewhat larger bump centered around 12KHz (est.). Web site designed & maintained by PB Associates & SOS. The front of the capsule grille is highly polished, while the rear has a dull finish. Amazon Customer. Whereas many mics have substantial presence peaks, the Kiwi's HF lift is very subtle and, as a result, I found the mic worked equally well on both male and female voices, combining a beautiful warmth with a clear airy top end, and lots of clarity in diction. I particularly liked the manual that came with the mic. Also a multi-pattern variation of their B6 bottle microphone capsule EQ required in the range, and the.. The B6 capsule used in the United States on October 23, 2018 other... 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