No matter how hard I try

After love, after love On January 23, 1999, it reached the Top 40 on the Billboard Hot 100 and reached number one on the chart on March 13, making Cher the oldest female artist (at the age of 52) to perform this feat. I don't need you anymore Working with a stable of competent European studio craftsmen, Cher herself merely moves through the beat factory with one drab vocal range, blending butt-shakers (like the title tune and "Strong Enough") and semi-ballads ("Dov'e L'Amore") into one endless, and personality-free, thump session. You're gonna be the lonely one, oh Higgins tried pitching the song to various artists he wrote for over the years, but they all passed on it. Do you believe in life after love? According to The New York Times the song took nine years to make. Believe is dedicated to him. Do you believe in life after love? /* cherworldcomskyscraper */ I really don't think you're strong enough, no. [Chorus] Well, I know that I'll get through this Now it is only available on file sharing networks. Power 3. It pioneered the use of Auto-Tune as a recognizable vocal effect; at the time it was known as the “Cher effect”. I can feel something inside me say But where Madonna's ease into the genre offshoot almost was an identifiable part of her career and culture (and therefore a sonically charged and thrilling listen), Believe comes off like Cher's latest playground move. 'Cause I know that I am strong

I can feel something inside me say

Do you believe in life after love? I really don't think you're strong enough, no Do you believe in life after love I can feel something inside me say I really don't think you're strong enough [Verse 2] The song became a huge international smash, landing at #1 in the US and many other countries including in Italy, Germany, and Spain.

Anyone could have been signed on as the voice in front of these generic tracks (which at times slip into glossy, overproduced late-'80s plastic); Cher brings only her name and star clout, no soul whatsoever. Dov’e L’amore Block & Teal Wicks), Song-A-Long by Cast of Eurovision: The Story of Fire Saga. I don't need you anymore At Warner's London office, Dickins bumped into songwriter Brian Higgins, who was asked to pitch songs for a Cher album. [Bridge] But after all is said and done 6. After love, after love Meanwhile, the president of Warner Music UK, Rob Dickins, wanted Cher to “focus on her gay audience with a high-energy dance record.” Dickins told The New York Times that when he heard “Believe” he thought to himself, “Cher could do this chorus, especially the lyrics, with her private life the way it is. Cher’s “Believe” is about getting over heartbreak. Well, I can't do that I really don't think you're strong enough, no The album was influenced by Sonny Bono’s death in a skiing accident earlier that year. Cher expressed that she was not interested in dance music anymore because she thought it was not a genre with "real songs", leaving Dickins with the option of convincing her otherwise. The album featured a new musical direction for Cher, with use of auto-tune, most notably in the title track. [Chorus] Believe 2. Do you believe in life after love? Believe is … [Chorus] Runaway 4. Power And Cher is determinedly, if not wholeheartedly, clinging to the tail end of it. Taking a cue from Madonna's Ray of Light, Cher goes Euro-disco on this platter of electro-beats and pulsating club rhythms. I need time to move on Taking a cue from Madonna's Ray of Light, Cher goes Euro-disco on this platter of electro-beats and pulsating club rhythms.

Cher worked also with long-time collaborator Diane Warren (who wrote “Takin’ Back My Heart”) and covered two songs: “The Power” and “Love Is the Groove”. I really don't think you're strong enough, no Three days later, a tape … 2. The “Believe” single was originally written only by Brian Higgins, Matt Gray, Stuart McLennen and Tim Powell and circulated at Warner Bros. as an unwanted demo for months. After love, after love

Cher began working on Believe in summer 1998 in London, meeting with producers Mark Taylor and Brian Rawling, who had previously worked with Rob Dickins; additional producers included Todd Terry (“Taxi Taxi”) and Junior Vasquez (who had to originally worked on “Dov’ L’Amore” but when he sent back his version from New York, it was rejected by Dickens, who decided instead to give the production of the track to Taylor and Rawling as well). 8. 'Cause I've had time to think it through I can feel something inside me say Although no fewer than five producers with dance pedigrees are along for the project (including Todd Terry, Junior Vasquez of Madonna fame, and Rob Dickins, who helped resurrect Rod Stewart’s ailing career), this is by no means a dance album in the ’90s trip-hop sense of the term. 10. And there's no turning back Do you believe in life after love?

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